I am thrilled that my work “Late night in the Studio” has been selected as one of the 34 finalists in the Nillumbik Prize for Contemporary Art. The exhibition showcases contemporary practice across painting, sculpture and video. My work is the only ceramic entry.
Late night in the studio,
Stoneware, clay slips, oxides and ceramic pencil
70W x 38H cm
Breakwater 2, Porcelain, engobes, ceramic crayon, 28 H x 21 W x 15 D cm
This is a beautiful show surveying contemporary Australian ceramics. I am delighted to be included in this exhibition alongside many friends and colleagues.
Stoneware, iron oxide, engobes
H 14 x W 17 x D 17cm
This stoneware vessel has been selected for the Container Award as part of the 2024 Melbourne Ikebana Festival
Breakwater,
Porcelain blend, ceramic stains, ceramic crayons
27 H x 20 W x 13 D cm
Very pleased to have my work, “Breakwater”, selected for this year’s Gosford Art Prize.
This porcelain vessel is a distillation of my memories watching the Southern Ocean pound the rocks and beaches along Victoria’s Otway Coast.
Silvergrass, Stoneware and slip, 18 x 21cm
This solo show is about fragments, details, jottings and vistas. It is a diary about time spent in the mountains of Shigaraki, one of Japan’s ancient pottery towns. Marching powerlines, hillsides of swaying Japanese silver grass, wrapped and strapped tree trunks, the studio work bench – these works, recorded in clay, are my notes and memories
Silent vessel
Carved porcelain
H 28 x W 12 x D 12cm
Very happy to be part of the beautiful exhibition celebrating the bounty of spring. Curator Salvica Zivkovic invited ceramic artists from around Australia to make vases, she then collaborated with local florist, Mittagong Flower Merchant, pairing the work with the vibrant foliage, blossoms and flowers of spring. Before the show I took this image of early wattle in one of my vases.
Crevice
Porcelain, ceramic stains, ceramic crayons
H 19 x W 34 x D 21cm
This was a show that continues to reverberate - a show linking writing and making, a show borne out of Covid lockdowns. A group of artists isolated by lockdowns would meet up online early each weekday morning. Our task was to respond to a prompt and write as fast as we could, without thinking and without censure. It was a way of finding our way out of the greyness of Covid and ploughing ahead with our arts practices. Even though lockdowns are no longer, the innovator of this project, artist Amy Kennedy, recently revisited these sessions and they were still just as powerful. This work, Crevice, was made during Covid, it was about sand and rocks and the ocean and the beach - all places I couldn’t visit during lockdown.
I have a collection of new work in a summer show, “Great Outdoors”, at Brunswick St Gallery. The exhibition features artists whose work takes direct inspiration from the outdoors - in my case, these new vessels have evolved from memories of a favourite beach in the Otways. I have been drawn to exploring the softer light in the early morning when the tide is out.
Pink Morning Series, 5
Porcelain, ceramic stains, ceramic crayons
19 H x 18 W x 18 D cm
Pink Morning series
Porcelain, ceramic stains
H 25.5cm x W 18cm x D18cm
This porcelain vessel is part of a beautiful group exhibition “High Summer” @mrkitly
Gallerist Bree Claffee has drawn together a great collection of artists responding to, thinking about and revelling in what is summer. The show runs, like summer, through December and January.
This year I spent time exploring what it is that makes a good cup, investigating variations in form, size and surface. I looked at the intricacies of rims, handles, weight, firing temperatures and glazes. I then held a studio sale to see if there was any particular cup that people gravitated towards…but, perhaps not surprisingly, everyone was pretty individual in their choices.
Excited and happy that my solo show ‘Home Soil’ opens on Thursday at Shopfront 342 Gallery.
Around this time last year I was meant to be doing a residency deep in the forests of Japan. However, in 2020 Covid 19 upended my plans and instead I ended up doing my residency project back in my Coburg home studio throughout lockdown. This show is the result of that strange and focused time.
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Viewing by appointment, antony@dimasearchitects.com.au, Shopfront 342, 342 St Georges Road, North Fitzroy
Orange Violet grouping
porcelain, ceramic stains
I’m really pleased to be included in the Fishers Ghost Art award in Sydney this year with my porcelain vessel, Barkskin. The exhibition covers a range of mediums including painting, sculpture and photography. If you are in Sydney you can catch it at the Campbelltown Arts Centre until December 11.
Barkskin,
Porcelain, iron oxide slip,
Coil built and hand carved
H 26cm W 18cm
2020 has been a year like no other as countries around the world have gone into lockdown in an attempt to halt the spread of the Corona Virus. Garland Magazine has created an online exhibition, The Gift of Time, as a way of showcasing the work made across the globe during lockdown. Good things take time. Quality is often at odds with the urgent demands of a modern market. Now is a time to rediscover the beauty of slowness. I am very happy to be selected for this show - you can view the full exhibition at: https://garlandmag.com/loop/the-gift-of-time
